POSTS

Okinum by Émilie Monnet

En langue anishnabemowin, Okinum signifie barrage. Inspiré par le rêve récurrent d’un castor géant, Okinum est une réflexion intime sur la notion de barrages intérieurs, une ode au pouvoir du rêve et à l’intuition. […]

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Directing Demo Reel – 2018

  Demo Reel – Directing – 3 minutes – 2018 Tales from the Deep – Director – Fiction – 2012 Tourisme Autochtone – Director/DOP – Publicity – 2012 Ness Creek […]

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My Father’s Tools

Official Selection of the Sundance Film Festival, 2017 Directed by Heather Condo – Emmet Walsh Mentor Co-Director – 2017 – 6 Minutes –  Director of Photography In honour of his […]

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That is Picture: Jessica Eaton

That is Picture: Jessica Eaton – Documentary – 6 minutes – Director/Camera – 2018 Short documentary visually explaining Artist Jessica Eaton’s complicated process in producing visually stunning photographic pieces. Full […]

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Ness Creek Documentary

Ness Creek – Documentary – 22 minutes – Director/Dop This observational Documentary follows a group of volunteers and organizers as they focus on opening the 27th Ness Creek Music Festival. […]

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Tales from the Deep

Shadow of a Giant – Fiction – 14min37 secs A short film trailer about the changing landscape of the saskatchewan rural prairies and the irregular happenings within a modern day […]

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DAMES DES VUES : Parissa Mohit

Portrait of director Parissa Mohit by director Émilie Baillargeon. Portrait de la réalisatrice Parissa Mohit par la réalisatrice Émilie Baillargeon.

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Dénombrement

Six cellules de prison alignées le long d’un couloir. Six femmes détenues qui « font du temps », comptant les jours interminables entre des murs. Six portes ouvertes sur leur […]

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Dead Meat

  Dead Meat – Fiction/Installation – 10min34sec – 2010            https://platformgallery.org/wp-content/uploads/2016/08/2009_insearchofdesire.pdf Dead Meat is an absurd experimental narrative video that follows a young man’s travels into […]

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The Ratspectacla

  The Ratspectacla – Fiction/Installation – 8 minutes – 2008 I have increasingly become interested in the type of ‘spectacle’ that utilizes fear and elements of the unknown to attract […]

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